The New York Times: Moore's Public Service
Paul Krugman, in The New York Times, writes:
"Since it opened, "Fahrenheit 9/11" has been a hit in both blue and red America, even at theaters close to military bases. Last Saturday, Dale Earnhardt Jr. took his Nascar crew to see it. The film's appeal to working-class Americans, who are the true victims of George Bush's policies, should give pause to its critics, especially the nervous liberals rushing to disassociate themselves from Michael Moore."
Read it here.
Two insightful quotes:
"There has been much tut-tutting by pundits who complain that the movie, though it has yet to be caught in any major factual errors, uses association and innuendo to create false impressions. Many of these same pundits consider it bad form to make a big fuss about the Bush administration's use of association and innuendo to link the Iraq war to 9/11. Why hold a self-proclaimed polemicist to a higher standard than you hold the president of the United States?"
"And for all its flaws, "Fahrenheit 9/11" performs an essential service. It would be a better movie if it didn't promote a few unproven conspiracy theories, but those theories aren't the reason why millions of people who aren't die-hard Bush-haters are flocking to see it. These people see the film to learn true stories they should have heard elsewhere, but didn't. Mr. Moore may not be considered respectable, but his film is a hit because the respectable media haven't been doing their job."
" ... Mr. Moore's greatest strength is a real empathy with working-class Americans that most journalists lack. Having stripped away Mr. Bush's common-man mask, he uses his film to make the case, in a way statistics never could, that Mr. Bush's policies favor a narrow elite at the expense of less fortunate Americans -- sometimes, indeed, at the cost of their lives."
Read it here.
"Since it opened, "Fahrenheit 9/11" has been a hit in both blue and red America, even at theaters close to military bases. Last Saturday, Dale Earnhardt Jr. took his Nascar crew to see it. The film's appeal to working-class Americans, who are the true victims of George Bush's policies, should give pause to its critics, especially the nervous liberals rushing to disassociate themselves from Michael Moore."
Read it here.
Two insightful quotes:
"There has been much tut-tutting by pundits who complain that the movie, though it has yet to be caught in any major factual errors, uses association and innuendo to create false impressions. Many of these same pundits consider it bad form to make a big fuss about the Bush administration's use of association and innuendo to link the Iraq war to 9/11. Why hold a self-proclaimed polemicist to a higher standard than you hold the president of the United States?"
"And for all its flaws, "Fahrenheit 9/11" performs an essential service. It would be a better movie if it didn't promote a few unproven conspiracy theories, but those theories aren't the reason why millions of people who aren't die-hard Bush-haters are flocking to see it. These people see the film to learn true stories they should have heard elsewhere, but didn't. Mr. Moore may not be considered respectable, but his film is a hit because the respectable media haven't been doing their job."
" ... Mr. Moore's greatest strength is a real empathy with working-class Americans that most journalists lack. Having stripped away Mr. Bush's common-man mask, he uses his film to make the case, in a way statistics never could, that Mr. Bush's policies favor a narrow elite at the expense of less fortunate Americans -- sometimes, indeed, at the cost of their lives."
Read it here.
posted by Price at 8:49 AM
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